About
Editor. Designer. Creative puppet master. Pulling the strings so everything – and everyone – falls into place.
Most projects, even the best ones, start off a bit … feral. That’s where I come in. With 15+ years in editorial, graphic design and communications, I’ve collaborated with some of the UK’s leading cultural and educational institutions to shape, structure and sharpen ideas – from untangling complex narratives to refining how they’re presented, both visually and strategically. Whether it’s a book, a brand, a campaign or something in between, I bring the editorial expertise, creative direction and strategic thinking needed to cut through the chaos and get things out into the world – intact, coherent and (crucially) worth paying attention to.
The Fine Print
What’s my approach?
Working with me is like sending your project to a luxury spa – expect expert care, rejuvenation and maybe even a little tough love (minus the cucumber slices). My goal is to preserve what makes your work distinctive while sharpening how it reads, looks and lands – ensuring it ends up out in the world, worthy of the shelf, the screen or anything in between.
I’m meticulous but not pedantic, detail-oriented but big-picture focused. Whether you need a structural overhaul, a clearer narrative or a stronger visual and strategic direction, I bring a mix of expertise, intuition and just the right amount of good-humoured pragmatism to every project.
→ See how I can help in practice
How did I get here?
My career has woven through publishing, communications and brand-led work across museums, academic institutions and independent organisations. I founded and ran publishing at the Design Museum, shaping its editorial direction while also working closely with its wider brand and communications output – from publications and campaigns to the refinement of core brand assets and templates.
That experience extended beyond editorial. Working with co-publishers such as Phaidon and distribution partners including Thames & Hudson and ARTBOOK | D.A.P., I developed a strong understanding of how content, design and marketing come together – not just to produce books, but to position them effectively in the world.
At The Bartlett School of Architecture, UCL, communications formed a central part of my role, working across brand assets, digital platforms and editorial outputs to ensure a clear and cohesive voice across everything from websites and social content to exhibition catalogues and graphics.
Along the way, I’ve collaborated with some big names in art, design and luxury, from Paul Smith to Ferrari (because nothing says ‘precision editing’ like a 200mph supercar), working across projects that span books, exhibitions, campaigns and brand identities. I once received a voice message from Ai Weiwei, who told me I brought out the best in his work (a compliment I’d absolutely print on a T-shirt if I could!).
Most recently, I edited Eight Decades of British Design: The Design Council, 1944 to Today (2024), a major publication marking the organisation’s 80th anniversary – one of those rare projects where editorial, design and cultural storytelling come together at scale (and where the editor actually gets their name on the cover!).
Let’s Work Together
Based in London but originally from the US, I’m fully set up to work with American publishers, cultural organisations and institutions. I regularly work across time zones and maintain strong ties to California, Chicago and New York – so whether you’re in London or Los Angeles, I can help.
So if your project needs clarity, direction or just someone to bring everything into focus, get in touch. I’d love to hear what you’re working on – no hourly rate, couch or deep emotional breakthroughs required.
